It's a good look at the weird 60's British pop vibe, but other than that it was a disconnected mess that made little sense and gave me little reason to try to make sense out of it. Vitti didn't look like a master spy—in fact, in her fight scenes, she looked like a housewife fighting over bargains at a flea market. She changed her clothes constantly—even in captivity, and her hair kept changing from blonde to dark. Bogarde's villain looked bored and irritable, but certainly never dangerous.